Everyone believes they possess an intimate understanding of their favorite musicians or bands, from the profound meanings behind the lyrics to the pivotal moments that defined or disrupted their careers. Filmmakers have long engaged in this narrative-building, ranging from concert films to revealing documentaries and polished biopics. We eagerly consume these stories because, ultimately, the myth-making is a collaborative effort. Occasionally, this involves stretching the truth a bit to craft a more compelling story.
‘Pavements’ is an eccentric new documentary that, ostensibly, focuses on the indie-rock band Pavement. The film, currently in theaters, however, delves deeper into the entire ecosystem that fosters the creation of a legend. Pavement, a band that achieved moderate fame in the 1990s, disbanded in 1999, only to reunite for tours in 2010 and 2022. This is where ‘Pavements’ begins its narrative journey.
The band retains a dedicated fan base, primarily composed of individuals who attended their shows or tuned into college radio during Pavement’s initial ascent. Yet, there is a significant number of people who remain unfamiliar with them, making the band an unexpected choice for a documentary. This element of surprise is part of the charm and contributes to ‘Pavements’ overarching theme.
Directed by Alex Ross Perry and meticulously edited by documentarian Robert Greene, ‘Pavements’ defies easy categorization. Blending elements of parody with genuine storytelling, the film captures the essence of its subjects. It incorporates traditional documentary elements, such as the band’s formation and album history, supported by archival footage and interviews—a format recognizable to documentary enthusiasts.
However, ‘Pavements’ offers much more. Shot by cinematographer Robert Kolodny in a variety of visual styles reminiscent of familiar genres, the film ventures into intriguing territories. It chronicles the development and rehearsal process for ‘Slanted! Enchanted!’, a Pavement jukebox musical that culminated in two workshop performances in New York in 2022 (one of which I attended). Additionally, it explores the opening of a museum-style exhibition featuring band memorabilia, adding layers of depth to the viewing experience.
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